The relationship between two people is always somewhere close to each other. When we remember ourselves or dream about the future, we always see whether we want to see someone else nearby. We try to see ourselves through the eyes of another, and thus understand the two. Even an artist, when creating a self-portrait, tries to see himself from the outside, and through the prism of professional perception, his gaze seems to double.
So, perhaps it is no coincidence that, starting to depict a chaotic, abstract line in order to then analyze it, see something, and complete it, bringing it closer to the subject, the image of “two” emerged. The line of this image became the basis of the internal structure of the composition. A structure that unfolds as a concrete image of “two” in a projection to which three lines of spatial dimensions are shifted. And at the same time, a structure that develops as an abstraction around the timeline.